أول الرصاص، أول الحجارة
Notes on Camp

2026. 40 min. Essay film

​​​Notes on Camp interweaves multiple notions of return: a return to​​​ the​ camp, a return to revolutionary memory, a return of the dead. Through a non-linear epistolary structure, the film assembles video footage from different moments in time with archival imagery to take stock of the Yarmouk Palestinian refugee camp. Threaded through these images is the story of Ali’s assassination in 2023. Born, raised, and buried in the camp, Ali devoted his life to the Palestinian resistance until his martyrdom. Through the circumstances of his murder, the film’s narration moves across several decades of struggle, retracing trajectories of revolutionary figures whose lives and deaths continue to shape the living, the not-yet-dead, and those who inhabit the afterlife of revolution, while sustaining the material possibility of its return. One such figure is Abu Jihad, known as “the first of bullets, and the first of stones,” who was buried in the camp’s old cemetery in 1988. As the camera moves between the camp's old cemetery and the new one, where Ali rests, the film traverses and seeks to repair the several kilometers of ruins that both separate and connect the two cemeteries, while tracing the enduring histories of generations of martyrs inscribed in the shattered marble fragments of the decimated tombs.  

Sunset over the ocean with an orange sky, dark silhouette cliffs on the left, and reflections of the sun on the water.

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Written, directed and narrated 
‍ ‍by  Sarah Zeryab         

      Voices in order of appearance
‍Omar Shaik Omar
Sarah Zeryab
Malkom
Adham Dakwar

Editing
Sarah Zeryab
Carine Doumit          

    Editing Support
Teddy Al Tawil 

3D Animation
Mario Hawat 

Sound Design & Mixing 
Muqata’a

Music 
Firas Shehadeh

Color Correction
Sally Shamas

Typography & Graphic Design
Mohamad Gaber

Text editing
Joud al Tamimi 


English Translation

Rayyan Abdelkhalek

French Translation
Nada Chedid Ziade

A co-production of the Centre d’Art Contemporain Genève and Kamel Lazaar Foundation for BIM’26 as part of the 8th Jaou Biennial, with the support of the Contemporary Art Fund of the City (FMAC), the Canton of Geneva (FCAC) and Culture Resource المورد الثقافي